29th April – 3rd May 2019 / 10.30am – 5.30pm / Cost £350 (£292 + VAT)
Toynbee Studios, 28 Commercial St, London E1 6AB
Led by Toby Park, jt artistic director & musical director Spymonkey
TO APPLY: please fill out this online booking form and follow instructions.
Music has always played a huge part of the Spymonkey creative process – we think early on in our writing about what the show might offer in the way of deliciously inappropriate original songs, musical theatre genres that we want to explore, unlikely cover versions of existing songs, speciality variety acts, original music in a range of genres and styles to inspire us to new choreographic heights, sound effects that establish their own theatrical conventions (and then break them hilariously).
Musical performance comes with its own set of recognisable conventions: conventions of genre, of status relationships, of audience expectation, of ‘how things ought to be’. And as comedic performers we are drawn to these structures like kids to a climbing frame – they supply us with the framework on which we can swing, dance, vault, somersault, generally have a ball. We can also fall off them and hurt ourselves: there’s risk and danger there too, which keeps everything exciting.
In this 5 day workshop we will explore how Spymonkey use music to lead us into unique and totally original comedic territory. We will explore Pleasure: the clown’s pleasure of being ridiculous on stage, the generous pleasure of playing with our friends, the pleasure of performing music together, the pleasure of pursuing grand ambitions, of unlikely choices, of aiming high, of making terrible mistakes and failing woefully! The pleasure of making an audience laugh their socks off.
How do you start to build a musical speciality act? How do you create a brilliant dance routine? How do you write a song that will make people piss their pants? How can music unite a disparate group of performers into one vibrantly harmonic unit? (And then have it all fall apart again catastrophically?) Using the principles of clown that will be familiar to students of Spymonkey’s work – vulnerability, generosity, pleasure, optimism, complicity – we will explore all these things and more.
Suitable for professionals and students of performance 18+
YOU DON’T NEED TO BE A MUSICIAN TO DO THIS WORKSHOP! You need only a sense of curiosity about how far you can stretch the limits of your performing, and the willingness to put yourself into difficult situations in order to make other people laugh at you too.
If you have an instrument we’ll ask you to bring it with you. But you won’t need to know how to play it well, or to sing, or to have done a Spymonkey workshop before, to stretch your musical and comedic sensibilities in order to create new work unique to you.
The Fabulous Backstrom Brothers, Helsinki 2016 – clown opera directed by Toby Park and Aitor Basauri
We made this a while ago now for our show ‘Bless’, but still one of our favourite bit of music and comedy!
Toby Park is joint founder, managing artistic director, performer and musical director of the Brighton-based international theatre company Spymonkey. With Spymonkey he created and performed around the world the groundbreaking clown theatre shows STIFF, COOPED, ZUMANITY (with Cirque du Soleil Las Vegas), BLESS, MOBY DICK, OEDIPUSSY, LOVE IN and THE COMPLETE DEATHS. Physical comedy director for RSC’s MERRY WIVES OF WINDSOR, National Theatre’s TARTUFFE, Chichester Festival Theatre’s MACK & MABEL starring Michael Ball; director and co-creator of the Finnish clown opera Fabulous Backstrom Brothers at Kapsakki Theatre Helsinki, and BIG BANG SIEGFRIED for Hagen Symphony Orchestra/Theatre Hagen, Germany. Other directing credits include Emma Edwards and Abigail Dooley’s award-winning ENTER THE DRAGONS, Hijinx’s THE FLOP (Total Theatre Award Nominee), Hijinx’s opening and closing ceremonies for Unity Festival at Wales Millennium Centre, and Spike Theatre’s THE GAMES and SHIP OF FOOLS. He has taught clown, music and comedy workshops around the world, including the National Theatre Connections programme for directors.
GEMMA ROGERS singer/songwriter, performer, playwright says:
“Imagine being in a class with a group of people wearing luminous tutus, beaver tails and loo paper scarves where you are praised for being an idiot. In fact you revel in those words. Because on some level, It means you have succeeded (temporarily) in the complex art of clowning.
“As a writer, words are my ammunition. Without them and armed only with your face and physicality, it can feel strange – scary even – but under Toby Park’s magical guidance I began to push through the boundaries. With the use of funny improv exercises, discussions and musical instruments ( not to mention Toby tuning several bottles of water to fit the notes for a song from Carmen ) – a group of us performed songs and one man acts to a hell of a lot of laughter. I left the Toynbee studios feeling I’d shed 15 years of my life.
“If you ever get a chance to embark on a Spymonkey clowning workshop- be brave and jump at it – no red noses or big flappy feet required.”
FIONA COFFEY writer/performer, Honey’s Happening
“Do it!! Leave your inhibitions at home. It’s a super intensive boot camp. Be open. Have fun. Don’t analyse it. Just throw yourself into it. It will change you. For the better.
The detailed personal feedback was superb and extremely helpful. I could understand more about my areas of strength and where and how I could improve. I learned just as much by watching this process with others, as I did when trying things for myself. I particularly enjoyed the feeling of being pushed and challenged to try anything and everything. I felt that a creative crucible had been formed very quickly such that any number of things became possible. I never imagined for example that I would be able to write a comedy song.
Exceptionally good value. The best short course I have been on in a very long time.”